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The Abbey Stays Put
Minister of State for the OPW Martin Mansergh said a "considerable degree of pressure has been taken off the Abbey Theatre" because of its recent refurbishment. "It is quite happy it will be able to continue for the next five or six years until a new site is developed, hopefully in time for the centenary of the Rising in 2016."
He told the Dáil that to date €219,590.32 had been spent in the development of a new national theatre. The Government had originally decided to relocate the Abbey to a site at George's dock.
Dr Mansergh said the work done was "project specific", not "site specific", and "the vast majority of it could be transferred into the GPO if that is the decision".
Fine Gael arts spokeswoman Olivia Mitchell described the GPO proposal as a "red herring" and said the preparation for a design competition had been going on for years. "Three Ministers have dealt with it and it still has not been announced." She would have loved the GPO as a location "if it had come up five or six years ago when it was first announced". But she was concerned that "it is merely a time-wasting exercise".
The Abbey Stays Put
Minister of State for the OPW Martin Mansergh said a "considerable degree of pressure has been taken off the Abbey Theatre" because of its recent refurbishment. "It is quite happy it will be able to continue for the next five or six years until a new site is developed, hopefully in time for the centenary of the Rising in 2016."
He told the Dáil that to date €219,590.32 had been spent in the development of a new national theatre. The Government had originally decided to relocate the Abbey to a site at George's dock.
Dr Mansergh said the work done was "project specific", not "site specific", and "the vast majority of it could be transferred into the GPO if that is the decision".
Fine Gael arts spokeswoman Olivia Mitchell described the GPO proposal as a "red herring" and said the preparation for a design competition had been going on for years. "Three Ministers have dealt with it and it still has not been announced." She would have loved the GPO as a location "if it had come up five or six years ago when it was first announced". But she was concerned that "it is merely a time-wasting exercise".
The Eclipse wins at Stiges
The Eclipse wins at Stiges
Clé USB de 256 Go !
Vous y pensez ? C'est gigantesque !
À vrai dire, c''équivalent de :
- 10 DVD Blu-Ray (25 Go / chaque)
- 54 DVD standards (4.7 Go / chaque)
- 365 CD (700 Mo / chaque)
Disons que je vais conserver mon disque dur portatif (WD Passport) encore un bout de temps.
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European Commisson Tackles Digitisation and Copyright
The Communication was jointly drawn up by Commissioners Charlie McCreevy and Viviane Reding. Digital libraries such as Europeana will provide researchers and consumers across Europe with new ways to gain access to knowledge. For this, however, the EU will need to find a solution for orphan works, whose uncertain copyright status means they often cannot be digitised. Improving the distribution and availability of works for persons with disabilities, particularly the visually impaired, is another cornerstone of the Communication.
On adoption, Commissioners McCreevy and Reding stressed that the debate over the Google Books Settlement in the United States once again has shown that Europe could not afford to be left behind on the digital frontier.
"We must boost Europe as a centre of creativity and innovation. The vast heritage in Europe's libraries cannot be left to languish but must be made accessible to our citizens", Commissioner McCreevy, responsible for the Internal Market, stated.
Commissioner Reding, in charge of Information Society and Media, said: "Important digitisation efforts have already started all around the globe. Europe should seize this opportunity to take the lead, and to ensure that books digitisation takes place on the basis of European copyright law, and in full respect of Europe's cultural diversity. Europe, with its rich cultural heritage, has most to offer and most to win from books digitisation. If we act swiftly, pro-competitive European solutions on books digitisation may well be sooner operational than the solutions presently envisaged under the Google Books Settlement in the United States."
The Communication addresses the actions that the Commission intends to launch: digital preservation and dissemination of scholarly and cultural material and of orphan works, as well as access to knowledge for persons with disabilities. The challenges identified by the Commission today stem from last year's public consultation on a Green Paper ( IP/08/1156 ), the Commission's High Level Group on Digital Libraries and the experiences gained with Europe's Digital Library Europeana (IP/09/1257).
The recent information hearings held by the Commission on the Google Books Settlement Agreement highlighted the anomalous situation that would arise were the
Settlement to be approved, namely that the vast number of European works in U.S. libraries that have been digitised by Google would only be available to consumers and researchers in the U.S. but not in Europe itself. Ensuring that Europeans are given access to their own cultural heritage, while European authors are fairly remunerated, is therefore of immediate concern and will require European responses, as recently stressed jointly by Commissioners Reding and McCreevy (MEMO/09/376)
Digital Preservation and Dissemination
The Commission will now engage in a stakeholder dialogue to find viable solutions for simple and cost-efficient rights clearance covering mass-scale digitisation and the online dissemination of library collections still protected by copyright. This concerns both out-of-print works and orphan works, i.e. works whose owner cannot be identified or located.
Orphan Works
The digitisation and dissemination of orphan works pose a particular cultural and economic challenge – the absence of a known rightholder means that users are unable to obtain the required authorisation, e.g. a book cannot be digitised. Orphan works represent a substantial part of the collections of Europe's cultural institutions (e.g., the British Library estimates that 40 percent of its copyrighted collections are orphan 1 ). The Commission will now examine this phenomenon more in detail via an impact assessment. The aim is for an EU-wide solution to facilitate the digitisation and dissemination of orphan works and the establishment of common 'due diligence' standards to recognise orphan status across the EU. First progress in this respect has already been made by the ARROW (Accessible Registries of Rights information and Orphan works) project which gathers national libraries, collective management organisations and publishers and is co-funded by the European Commission under the eContent plus programme (€ 2.5 million). This project (launched in November 2008 ) is aimed at identifying rights holders and clarifying the rights status of a work, including whether it is out of print or orphan: "The EU-funded ARROW project is a first step to link Europe's different rights registries and make it easier to identify rights holders," said Commissioners Reding and McCreevy today: " We call on national libraries, collective management organisations and publishers to build on this good start and work with the Commission to develop a pro-competitive and pan-European system of book registries that will allow for cross-border licensing under a transparent and affordable pricing system, while ensuring a fair remuneration of authors."
Access for Persons with Disabilities
Persons with disabilities experience obstacles in accessing information. In particular, visually impaired people experience a "book famine" – only 5% of European publications are available in accessible formats, a situation compounded by restrictions on cross-border distribution, even between countries sharing a language. A stakeholder forum on the needs of disabled persons, in particular visually impaired persons, will examine policy responses, including ways to encourage the unencumbered EU trade of works in accessible formats.
European Commisson Tackles Digitisation and Copyright
The Communication was jointly drawn up by Commissioners Charlie McCreevy and Viviane Reding. Digital libraries such as Europeana will provide researchers and consumers across Europe with new ways to gain access to knowledge. For this, however, the EU will need to find a solution for orphan works, whose uncertain copyright status means they often cannot be digitised. Improving the distribution and availability of works for persons with disabilities, particularly the visually impaired, is another cornerstone of the Communication.
On adoption, Commissioners McCreevy and Reding stressed that the debate over the Google Books Settlement in the United States once again has shown that Europe could not afford to be left behind on the digital frontier.
"We must boost Europe as a centre of creativity and innovation. The vast heritage in Europe's libraries cannot be left to languish but must be made accessible to our citizens", Commissioner McCreevy, responsible for the Internal Market, stated.
Commissioner Reding, in charge of Information Society and Media, said: "Important digitisation efforts have already started all around the globe. Europe should seize this opportunity to take the lead, and to ensure that books digitisation takes place on the basis of European copyright law, and in full respect of Europe's cultural diversity. Europe, with its rich cultural heritage, has most to offer and most to win from books digitisation. If we act swiftly, pro-competitive European solutions on books digitisation may well be sooner operational than the solutions presently envisaged under the Google Books Settlement in the United States."
The Communication addresses the actions that the Commission intends to launch: digital preservation and dissemination of scholarly and cultural material and of orphan works, as well as access to knowledge for persons with disabilities. The challenges identified by the Commission today stem from last year's public consultation on a Green Paper ( IP/08/1156 ), the Commission's High Level Group on Digital Libraries and the experiences gained with Europe's Digital Library Europeana (IP/09/1257).
The recent information hearings held by the Commission on the Google Books Settlement Agreement highlighted the anomalous situation that would arise were the
Settlement to be approved, namely that the vast number of European works in U.S. libraries that have been digitised by Google would only be available to consumers and researchers in the U.S. but not in Europe itself. Ensuring that Europeans are given access to their own cultural heritage, while European authors are fairly remunerated, is therefore of immediate concern and will require European responses, as recently stressed jointly by Commissioners Reding and McCreevy (MEMO/09/376)
Digital Preservation and Dissemination
The Commission will now engage in a stakeholder dialogue to find viable solutions for simple and cost-efficient rights clearance covering mass-scale digitisation and the online dissemination of library collections still protected by copyright. This concerns both out-of-print works and orphan works, i.e. works whose owner cannot be identified or located.
Orphan Works
The digitisation and dissemination of orphan works pose a particular cultural and economic challenge – the absence of a known rightholder means that users are unable to obtain the required authorisation, e.g. a book cannot be digitised. Orphan works represent a substantial part of the collections of Europe's cultural institutions (e.g., the British Library estimates that 40 percent of its copyrighted collections are orphan 1 ). The Commission will now examine this phenomenon more in detail via an impact assessment. The aim is for an EU-wide solution to facilitate the digitisation and dissemination of orphan works and the establishment of common 'due diligence' standards to recognise orphan status across the EU. First progress in this respect has already been made by the ARROW (Accessible Registries of Rights information and Orphan works) project which gathers national libraries, collective management organisations and publishers and is co-funded by the European Commission under the eContent plus programme (€ 2.5 million). This project (launched in November 2008 ) is aimed at identifying rights holders and clarifying the rights status of a work, including whether it is out of print or orphan: "The EU-funded ARROW project is a first step to link Europe's different rights registries and make it easier to identify rights holders," said Commissioners Reding and McCreevy today: " We call on national libraries, collective management organisations and publishers to build on this good start and work with the Commission to develop a pro-competitive and pan-European system of book registries that will allow for cross-border licensing under a transparent and affordable pricing system, while ensuring a fair remuneration of authors."
Access for Persons with Disabilities
Persons with disabilities experience obstacles in accessing information. In particular, visually impaired people experience a "book famine" – only 5% of European publications are available in accessible formats, a situation compounded by restrictions on cross-border distribution, even between countries sharing a language. A stakeholder forum on the needs of disabled persons, in particular visually impaired persons, will examine policy responses, including ways to encourage the unencumbered EU trade of works in accessible formats.
Peopleware, Productive Projects and Teams
J'ai recommencé à le lire du début et à mesure que ma lecture progressait, je le trouvais de plus en plus pertinent car beaucoup, BEAUCOUP des idées présentées touchaient des irritants que je vis au quotidien à mon travail. Le timing était bon.
Pourtant, il ne s'adresse pas aux programmeurs et développeurs mais bien aux chargés de projets et aux gestionnaires. Quoi que dans mon cas, ayant toujours eu beaucoup d'entrepreneurship et ayant touché à un peu tout comme travailleur autonome et en entreprise (programmation, analyse, gestion de projets, recherche et développement), j'y ai trouvé mon compte assez rapidement.
Ce qui m'a impressionné, c'est que ce livre est tellement concis qu'il touche à tout coup au coeur du problème, ce qui en confirme la pertinence même si l'édition originale date de 1987. La copie que je me suis procuré est la seconde édition de 1999 qui compte 8 chapitres supplémentaires (comme l'indique la page couverture) et croyez moi, c'est encore autant d'actualité sinon plus car ça touche un élément clé du succès (ou de l'échec) d'un projet informatique :
- hardware
- software
- peopleware
On nous fait comprendre qu'il n'y a pas de recettes miracles à appliquer et que les situations sont à traiter cas par cas. Voici quelques idées abordées :
- l'investissement en capital humain : comme à la bourse, c'est rentable et à long terme
- l'effet non anticipé des heures supplémentaires : je vous laisse deviner...
- le concept des free electrons : un traitement privilégié aux employés d'exception
- l'esprit d'équipe, la chimie entre ses membres et les comportements qui peuvent la détruire
- le dérangement de toutes les façons, dont le téléphone : ne répondez pas pour rien (à chaque fois qu'on se fait déranger, ne serait-ce que 2 minutes, la perte représente 15 minutes de productivité)
- L'importante loi de Parkinson dont j'ai déjà parlé : "organizational busy work tens to expand to fill the working day"
- Plus une entreprise se rapproche de l'uniforme (ou de la cravate), moins votre emploi sera stimulant : "uniformity is so important to insecure authoritarian regimes that they impose dress codes". Comme dirait Gandalf : Fuyez pauvres fous !
- Le E-Factor : "brain time versus body time" (volontaire ou non)
- Le taux de roulement des employés (la moyenne n'est-elle pas de 2 ans au sein de la même entreprise ?). S'ils quittent trop vite, il faut se poser des questions et comprendre les motivations.
J'y ai aussi extrait quelques phrases clés qui résument la pensée des auteurs DeMarco et Lister et que je partage également :
- Learning is limited by an organization's ability to keep its people
- The fundamental response to change is not logical, but emotional
- It's supposed to be fun to work here
- Visual supervision is for prisoners
- Voluminous documentation is part of the problem, not part of the solution
- Quality, far beyond that required by the end user, is a means to higher productivity
- People under time pressure don't work better, they just work faster
En tout cas, pour moi, c'est clair que j'y ferai référence plus d'une fois.
The Tribe
Réalisateur :
Durée :
Avec :
Genre :
Date de sortie : inconnue Année de production : 2008
Année de production : 2008
Titre Original :
Critiques : /4
Bande annonce :
24 Heures Chrono Saison 1
Responsable de la Cellule Anti-Terroriste de Los Angeles, Jack Bauer a 24 heures pour mener sa mission à bien et protéger les siens du danger qui les menacent...
Hébergeur : MegaUpload
Genre : Drame, Action, Espionnage
Qualité : Dvdrip
Langue : Français
24 Heures Chrono Saison 2
Responsable de la Cellule Anti-Terroriste de Los Angeles, Jack Bauer a 24 heures pour mener sa mission à bien et protéger les siens du danger qui les menacent...
Hébergeur : MegaUpload
Genre : Drame, Action, Espionnage
Qualité : Dvdrip
Langue : Français
24 Heures Chrono Saison 3
Responsable de la Cellule Anti-Terroriste de Los Angeles, Jack Bauer a 24 heures pour mener sa mission à bien et protéger les siens du danger qui les menacent...
Hébergeur : MegaUpload
Genre : Drame, Action, Espionnage
Qualité : Dvdrip
Langue : Français
24 Heures Chrono Saison 4
Responsable de la Cellule Anti-Terroriste de Los Angeles, Jack Bauer a 24 heures pour mener sa mission à bien et protéger les siens du danger qui les menacent...
Hébergeur : MegaUpload
Genre : Drame, Action, Espionnage
Qualité : Dvdrip
Langue : Français
24 Heures Chrono Saison 5
Responsable de la Cellule Anti-Terroriste de Los Angeles, Jack Bauer a 24 heures pour mener sa mission à bien et protéger les siens du danger qui les menacent...
Hébergeur : MegaUpload
Genre : Drame, Action, Espionnage
Qualité : Dvdrip
Langue : Français
24 Heures Chrono Saison 6
Responsable de la Cellule Anti-Terroriste de Los Angeles, Jack Bauer a 24 heures pour mener sa mission à bien et protéger les siens du danger qui les menacent...
Hébergeur : MegaUpload
Genre : Drame, Action, Espionnage
Qualité : Dvdrip
Langue : Français
24 Heures Chrono Saison 7
Responsable de la Cellule Anti-Terroriste de Los Angeles, Jack Bauer a 24 heures pour mener sa mission à bien et protéger les siens du danger qui les menacent...
Hébergeur : MegaUpload
Genre : Drame, Action, Espionnage
Qualité : Dvdrip
Langue : De 1 a 8 Fr De 9 a 24 Vostfr
No es el qué, es el cómo
Comisariado por Garbiñe Ortega.
Este ciclo presenta unos trabajos cuya característica común es la investigación de los distintos formatos cinematográficos y videográficos como medio de expresión. Invitados de reconocido prestigio y trayectoria, acudirán a cada sesión conducida también por Garbiñe Ortega.
Primera sesión: EXPERIMENTA EN SUPER 8. Muestra de trabajos recientes en formato Súper 8 de Víctor Iriarte, Albert Alcoz, Miguel Aparicio y David Domingo entre otros.
Presenta el cineasta Víctor Iriarte
Lunes 19 de octubre.
Segunda sesión: Venuspluton!com. MÚSICA PARA VER, IMÁGENES PARA OIR. Venuspluton!com es una web dedicada al video musical producido en España y a todos los formatos y géneros que audiovisuales en los que la música es protagonista. Presentan el director del proyecto Marc Prades y el realizador Luís Cerveró
Martes 20 de octubre.
Tercera sesión: Política e imágenes bastardas. “Iraqi Short Films”. Mauro Andrizzi. Argentina. 2008. 98 min
Trabajando con imágenes robadas del conflicto de Irak, filmadas por soldados de todos los frentes, Andrizzi construye un collage visual en una de las primeras grandes películas de la era Youtube que ya estado presente en festivales y en centros como el Pompidou o el MOMA de N.Y. Presenta el cineasta, programador, y crítico de cine Gonzalo de Pedro
Lunes 26 de octubre.
Cuarta sesión: Closed Circuit Cinema. Trabajos audiovisuales que utilizan material grabado con cámaras de seguridad y que han dado lugar a debates sobre la vigilancia y la privacidad.
Presenta Natxo Rodríguez Arkaute.
Martes 27 de octubre.
Descargar pdf
Auditorio. 19:30 h
Precio por sesión: 2 € (gratuito para miembros asociados y estudiantes acreditados)
Bono para el programa: 6 €
Plazas limitadas. Todas las películas en V.O.S. en castellano
No es el qué, es el cómo
Comisariado por Garbiñe Ortega.
Este ciclo presenta unos trabajos cuya característica común es la investigación de los distintos formatos cinematográficos y videográficos como medio de expresión. Invitados de reconocido prestigio y trayectoria, acudirán a cada sesión conducida también por Garbiñe Ortega.
Primera sesión: EXPERIMENTA EN SUPER 8. Muestra de trabajos recientes en formato Súper 8 de Víctor Iriarte, Albert Alcoz, Miguel Aparicio y David Domingo entre otros.
Presenta el cineasta Víctor Iriarte
Lunes 19 de octubre.
Segunda sesión: Venuspluton!com. MÚSICA PARA VER, IMÁGENES PARA OIR. Venuspluton!com es una web dedicada al video musical producido en España y a todos los formatos y géneros que audiovisuales en los que la música es protagonista. Presentan el director del proyecto Marc Prades y el realizador Luís Cerveró
Martes 20 de octubre.
Tercera sesión: Política e imágenes bastardas. “Iraqi Short Films”. Mauro Andrizzi. Argentina. 2008. 98 min
Trabajando con imágenes robadas del conflicto de Irak, filmadas por soldados de todos los frentes, Andrizzi construye un collage visual en una de las primeras grandes películas de la era Youtube que ya estado presente en festivales y en centros como el Pompidou o el MOMA de N.Y. Presenta el cineasta, programador, y crítico de cine Gonzalo de Pedro
Lunes 26 de octubre.
Cuarta sesión: Closed Circuit Cinema. Trabajos audiovisuales que utilizan material grabado con cámaras de seguridad y que han dado lugar a debates sobre la vigilancia y la privacidad.
Presenta Natxo Rodríguez Arkaute.
Martes 27 de octubre.
Descargar pdf
Auditorio. 19:30 h
Precio por sesión: 2 € (gratuito para miembros asociados y estudiantes acreditados)
Bono para el programa: 6 €
Plazas limitadas. Todas las películas en V.O.S. en castellano
Playful finger smears
chalky smiles across gray slates
lifting somber face
The Tribe
Genre : Horreur
Hébergeur : Mégaupload
Qualité : DVDRip
Format : Divx
Taille : 680Mo
Télécharger
SMALLVILLE SAISON 09 [3/22] HDTV VOSTFR
Format : XviD
Langue : Anglais
Sous-titres : Français
Hardwired
Genre : Action, Science fiction
Réalisé par Emie Barbarash
Avec Val Kilmer, Cuba Gooding Jr., Rachel Luttrell
Durée : 1h 34mn.
Année de production : 2008
Après avoir perdu sa femme dans un tragique accident, Luke Gibson se réveille à l'hôpital constatant que sa vie si parfaite est détruite. Une puce électronique potentiellement mortelle lui est implantée et contrôlée par le Directeur des industries Hope, Gibson est hanté par des visions étranges d'un passé dont il ne se souvient pas.
Hell
Genre : Drame
Réalisé par Bruno Chiche
Avec Sara Forestier, Nicolas Duvauchelle, Didier Sandre
Durée : 1h40 min.
Année de production : 2005
Hell, une jeune fille issue d'un milieu aisé, passe ses nuits dans les boîtes parisiennes et ne fréquente que la jet set. Mais dans ce monde où tout n'est que paillettes, elle est en proie à un certain mal de vivre.
Les Clefs de bagnole
Genre : Comédie
Réalisé par Laurent Baffie
Avec Laurent Baffie, Daniel Russo, Pascal Sellem
Durée : 1h34 min.
Année de production : 2003
Qui pensait que perdre des clefs de bagnole pouvait mener aussi loin ? Attention, l'aventure est au coin de la rue...
Douglas Hyde Conference 2009
The piece quotes from several of the conference speakers, such as Garry Hynes, founder and director of Druid Theatre Company, poet Alice Lyons, and our own David Kavanagh, chief executive of the Irish Playwrights and Screenwriters Guild.
Douglas Hyde Conference 2009
The piece quotes from several of the conference speakers, such as Garry Hynes, founder and director of Druid Theatre Company, poet Alice Lyons, and our own David Kavanagh, chief executive of the Irish Playwrights and Screenwriters Guild.
The Tribe, l'île de la terreur
Genre : Epouvante - Horreur
Réalisé par Jorg Ihle
Avec Justin Baldoni, Jewel Staite, Kellan Lutz
Durée : 1h 22mn.
Année de production : 2008
Liz, son fiancé Peter et des amis prennent le large à bord d'un yatch luxueux pour passer des vacances ensemble. Soudainement le bateau dérive, heurte un récif et sombre mais le groupe d'amis arrive à se sauver sur une île mystérieuse non loin du lieu de l'accident.
Festival: retour au Brady....(fin)
BRAQUO [4/8] HDTV
Qualité : HDTV
Format : XviD
Referrer spoofing avec CURL
Ce que nous avons fait est un peu l'équivalent de se rendre sur une page, de remplir les champs d'un formulaire, de soumettre le tout et de récupérer le résultat pour nos besoins. La différence, c'est que nous avons fait le tout par programmation. C'est donc une méthode peu robuste et durable de faire les choses mais qui nous a servi à atteindre nos objectifs sans trop se casser la tête.
Nous avons créé un script PHP qui a lancé un appel CURL au formulaire distant. Cependant, il ne répondait pas correctement et nous avions de la difficulté à figurer pourquoi. Alors nous avons émis l'hypothèse que le formulaire devait vérifier la provenance de la requête en utilisant la variable serveur HTTP_REFERER car nous avions remarqué que CURL n'envoyait pas de valeur pour ce header.
Nous avons eu l'idée d'avoir recours à une technique nommée referrer spoofing. Ceci consiste à modifier l'entête HTTP qui indique le référant (d'où la requête provient) pour lui substituer un autre URL.
Avec CURL, il suffit d'ajouter la ligne suivante qui initialisera le header avec la valeur qu'on lui passe :
curl_setopt($handler, CURLOPT_REFERER, "http://code18.blogspot.com/");Comme par magie, ça s'est mis à fonctionner.
Si cette simple ligne de code nous a permis d'obtenir le résultat escompté, on devra en conclure que dans notre programmation, la vérification du référant peut parfois être pratique, mais il ne faut pas s'y fier comme mesure de sécurité puisque ça peut être aisément déguisé.
Distance
crafty miles creep up with vital intent,
toeing waved lines.
A pair of vultures glide in lean routes,
marking bold exes across the grain
of age-stained charts.
Their sudden runs on scented organs
made with strong swoops to fleshy thresholds
of life's tipping.
He discovers in this scaled calculus
that distance, moist but listing, travels
in taut cycles.
It can't defeat the curse of lifting
unbalanced loads with back pushed against
jaundiced fingers.
Ten peckish tips, waiting for victuals
they smell buried in gusty legends
of cornered maps.
— Francis Scudellari
This poem is written in response to Read Write Prompt #97 at Read Write Poem. The challenge was to use the "cut-up technique" of picking words at random. I used words from five recent haiku and short poems, so its a cut-up plus a mash-up. The result is pretty abstract.
Mafiosa : le Clan - Saison 1 [HDTV]
Hébergeur : Megaupload
Qualité : HDTV
Format : XVid
The world may refuse
words I toss out, more refuse
atop littered piles
but this trash, offered humbly
is my only true treasure
The Big Bang Theory Saison 3 [04/??] VOSTFR
Format : XviD
Langue : Anglais
Sous-titres : Français
Kyle XY Saison 1
Hébergeur : Megaupload
Qualité : HDTV
Format : Divx
Les Dieux Sont Tombés Sur La Tête
Genre : Comedie
Hébergeur : MégaUpload
Qualité : Dvdrip
Format : Dvix
Taille : 699 Mo
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